| A Few
Words...
"I always have a small sketch
book with me and whenever I see something that interests me, I do
a very quick ink line sketch for possible development into a painting.
The sketches are sometimes elaborate and covered with notations on
colour and light if I am searching for subjects. I have a camera and
use prints for later colour reference. As an architect I spend considerable
time working out the composition of a painting. I always draw 'lines
of force' and identify areas of shade for the picture."
"Watercolours have a particular
appeal and I find that over the years I have departed from the pure
classical technique and now work more in ink line and wash. Colours
have become stronger and dark areas more intense."
"I
particularly like winter colours, when greater intensity is possible
without depicting the pale colours of strong sunlight. The British
Isles have much the same daylight as the West coast of Canada and,
to the painter, the same palette applies although the bare forms of
deciduous trees are often more stimulating than the evergreens of
Canada."
About the Artist
Peter Blewett (now deceased)
was born in Swansea. Wales, in 1932 in spent his first eleven years
in the Principality before moving to England. Childhood influences
included the depressed industrial areas of South Wales and the marvelous
coastline of Gower. Holidays spent with relatives in West Cornwall,
made him familiar with the rugged picturesque Penwith Peninsula.
Canterbury
was him home during high school years, and this mediaeval city provided
much impetus to the sketching and watercolour that proceeded formal
art education. He first studied art at the Canterbury College of art
as a part-time student and continued as he entered the School of Architecture
for full-time training from 1949 to 1954.
Peter graduated in Architecture and worked
in England until moving to Vancouver in 1957. His first, of several
Gallery Shows, was in 1967 at the Harrison Galleries where his work
was sold for many years. Early work in watercolours and oils was followed
by a developing interest in acrylics which is his favorite medium
today.
Peter died in 1999. |