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Morgan +4
8.25 x 10.25, ink & gouache
$500

 

 

The Beginning of a Journey in Art
by Bob Sheridan

My first formal art training was from Costa Mesa artist David Vaughan who stressed the importance of drawing. He often said "Art is not a thing- it is the spirit of the thing." This was supposed to be a painting class but we never did get to paint anything. We drew a lot of subjects in charcoal and pastels, with emphasis on the basic forms on large cartridge paper that turned the colour of tobacco with age. This short college course was beneficial as I was able to use Vaughan's techniques years later when I gave my own pen and ink and drawing classes. I made up my own 7 basic forms (Vaughan added the spiral to the traditional sphere, ovoid, pyramid, cylinder, cube and cone) and still use these when I teach drawing.

Quadra Chains
10.5 x 8.5", mixed media
$450

 

When I moved my family back to B.C. from California I enrolled in a drawing class in Port Coquitlam with Elaine Cramer as instructor. Elaine was a fine pastel painter and designer. It was here I began the first of several series of notepaper and prints.

In the seventies and eighties Michael Duncan, Dianna Ponting and I drew in pen and ink many of the notable wooden buildings, especially the general stores and churches, around British Columbia. I was also inspired by Ron Woodall's paintings and his book The Magnificent Derelicts. So I drew a lot of pen and ink subjects, tugs and fishboats and cabins and homes, and gave several classes in pen and ink techniques in Port Coquitlam. But with time people's tastes change. I needed to do something different and decided that it was time to take up painting in earnest.


The Jacket
8.25 x 10.5", mixed-media
$450

 

  After doing all the exercises in various painting books I joined the Federation of Canadian Artists and took a number of Foundation Courses . Wonderful artists who revealed all their theory, techniques and trade secrets so us fledgling artists could find our way through the mysteries of watercolours, oils and acrylics, pastels and gouache, coloured pencils and ink and gesso. It was great using all this new stuff and to eventually put something on paper, masonite or canvas that we could call our own.

Everything we learn comes from many sources, whether from the old masters, the impressionists, the group of seven, or the exceptionally talented artists who teach the Federation classes in Vancouver. To my instructors Mike Svob, Rick McDiarmid, Suzanne Northcott, Donna Baspaly, Joyce Kamikura, Jeane Duffey, and Don Farrell I owe a great debt of gratitude. Add illuminating demonstrations by Robert Genn (and inspiration from his newsletters), Kiff Holland, Ruth Sawatzky, Marilyn Timms, Margaret Elliot, Bob McMurray, Janice Robertson, Tom Huntley and others and I was treated to a variety of talent second to none anywhere. To have taken classes with fellow AFCAs Merrilee Sett and Manya Milkovich has made the journey to this point all the more enjoyable.

Some of my recent work has been in watercolours employing a "negative painting" technique which involves lifting pigment from the paper to create images. To my success in this process I credit Don Farrell whose instructions in design were a revelation. I also do some oils and acrylics but presently I'm working on a series of images developed with inks and gouache . It was Margaret Elliot who introduced me to this technique. I find that whatever method I use the process evolves and each generation of paintings replaces what has gone before. And that's as it should be.

Salish Basket
14 x 20", watercolour
$750

 

 

 

 

 

  My inspiration to paint does not come from any particular source. I am constantly on the lookout for new subjects. I find satisfaction depicting relationships between people. I look for the abstract in the realistic. I take pleasure in creating a painting from subjects most people would overlook. I believe an artist must continually practice new ways of doing things. To study, explore and improvise: the artist's way to distinction, whether writing, playing an instrument, or using a paint brush.

 

   

Exhibitions & Awards

 

 

Contacting the Artist

Bob Sheridan AFCA
Langley, BC

rcsheridan@shaw.ca
Telephone: 604-530-1804

 

 

 


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